Pursuant to the California Public Records Act (Government Code § 6250 et seq.) "Public records" include "any writing containing information relating to the conduct of the public’s business prepared, owned, used, or retained by any state or local agency regardless of physical form or characteristics." (Cal. Estas restricciones son independientes del estado de sus derechos de autor. El uso de estos símbolos está restringido en muchos países. العربية ∙ Deutsch ∙ English ∙ español ∙ français ∙ galego ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ português ∙ português do Brasil ∙ русский ∙ sicilianu ∙ slovenščina ∙ українська ∙ 简体中文 ∙ 繁體中文 ∙ +/−Įsta imagen representa una bandera, un escudo, un sello o alguna otra insignia oficial. Vea Commons:Hirtle chart como referencia e información. A menos que su autor haya fallecido años antes, se mantiene bajo propiedad intelectual en los países o zonas que no aplican la regla del plazo más corto para las obras estadounidenses, como Canadá (50 años p.m.a.), China continental (50 años, a excepción de Hong Kong o Macao), Alemania (70), Suiza (70), México (100) y otros países con reglas particulares. Agustina Paz Frontera.Este archivo se encuentra en el dominio público en los Estados Unidos porque fue publicado en ese país entre los años 1928 y 1963, y, teniendo un aviso de derechos de autor, no se renovó su protección. You know this stuff when you live in the barrio, everyone talks about it. After a neighbor was shot by her boyfriend in 2002, she was appalled that headlines read, “He killed her out of jealousy.” “We all knew he was a violent guy. Police conducted a half-assed investigation before quickly giving up, leaving Paz Frontera and her friends to pick up the slack (in vain: Pennacchi was never found).Īlcaraz, on her end, was galvanized by the media’s macho tone and perspective. Paz Frontera began her own brand of activism in 2005 after a friend, Florencia Pennacchi, disappeared, most likely sold into human trafficking.
She’d always been involved with workers’ unions and was alarmed by how the economic downturn and wage gap made women more vulnerable to financial instability and domestic abuse. “Back then, we were a country in which people were going hungry, and women were the hardest hit,” she explained. Here in Argentina, it’s hardly radical to be anti capitalist.” “The fact that the American girls want to oppose capitalism is a triumph. Minici traces her feminist roots back to Argentina’s financial crisis in 2001. To them, the link between financial empowerment and female autonomy has always been clear.
Photo: Mariana Leder Kremer HernandezĪ motley crew of artists, journalists and academics with an anti-capitalist bent and reverence for anarchist shakers of yore, the women behind Ni Una Menos can be thought of as a cross between Gloria Steinem, Joan Jett and guerilla fighter Juana Azurduy. “Knowing that a group of activists in the US read our literature and believe in it makes us proud,” Florencia Alcaraz, a journalist, added. Here in Argentina, it’s hardly radical to be anti capitalist, it’s something we feel all the time.” “The fact that the American girls want to oppose capitalism is a triumph,” Agustina Paz Frontera, a poet and essayist, told me. On the other side of the globe-el culo del mundo, as Argentines endearingly call their homeland-Minici, an academic, and the dozen other founders of Ni Una Menos, were thrilled, if slightly bemused. In it, they pointed to Argentina’s Ni Una Menos (Not One Less) collective-the face of Argentina’s feminist movement-as their inspiration for embracing a feminism for the 99%. The women behind Ni Una Menos are a cross between Gloria Steinem, Joan Jett and guerilla fighter Juana Azurduy. In the US, the measure was spearheaded by the leaders of the January 21 Women’s March on Washington, including civil rights and women’s liberation titan Angela Davis, who penned their call to arms in a letter in The Guardian. On March 8, women from over 30 countries went on strike to protest the economic forces that put them at a disadvantage around the globe.
0 kommentar(er)
